For as long as I can remember I have been fascinated with roads, dirt trails, alleys, paths across fields, secret shortcuts, animal tracks in the hills, sidewalks, side streets, fire roads, and basically any way for a human to travel slowly and take in the mysteries of the landscape.
When I was a little kid, living on the outskirts of a small town, I remember my first sensation as being a wonder at what those blue hills in the distance meant, and how one might get there. And then, what was beyond them? I lent so many strange imaginings to that far off place; would sometimes have dreams that I walked in a straight line, through what seemed to my small body a massive distance, across the orchards and rolling foothills to the high cliffs studded in a blue green mirage. When I got my first ten-speed at the age of fourteen I began taking rides up into those hills, going further each time, bringing back a trophy, a curious rock or spent bullet casing, to mark the journey. Finally, at twenty-three, I packed my mountain bike into a box, put it on a plane, and flew to Italy, my sole idea to ride down the length of the country to the deep south, to find the stone house where my dad was born. All I knew was that I would get there only by riding bicycle, by following every inch of terrain using my own volition, taking in as much of it as I could. The first few nights, I slept in random places, and had bizarre dreams in which I was riding over cartoon hills with a beam of energy leading out from my third eye, pulling me along straight as an arrow to my destination...
Even here in my little neighborhood I am quite superstitious about what path I take when I walk somewhere. I believe certain routes to have powers to relax and soothe the mind and body. I can't help but to try to visually inhale every object I pass on these paths. The subtle changes when returning day after day, unnoticed, I imagine, by most people, to me are a source of fascination and endless entertainment. This urban world seems so tame and 'normal' on the outside, but at different levels of vision (and indeed at different levels of visual adjustment), begins to take on an air of hugeness and mystery...
I was going to try to tie in my ideas about what the labyrinth signifies in relation to all the pathways and roads we take in our lives, all the actual steps we walk and the directions we go, but I think this article about Songlines might better explain what I am trying to get at:
[link]I wonder if it makes sense to you...
Wonderful clubs where I reside:






Epic photos of flora and fauna:

"...the labyrinth of invisible pathways which meander all over Australia...are known to Europeans as 'Dreaming-tracks' or 'Songlines'; [and] to the Aboriginals as the 'Footprints of the Ancestors' or the 'Way of the Law'.
--Bruce Chatwin
Devious Comments
I love your art though its fantastic!
--
"You son of a bitch, we beat Penecillin!"
--
"When I photograph, what I'm really doing is seeking answers to things." - Wynn Bullock
I came bye and asked him...what are you doing?
I watch how the universe draws itself...
I set next to him and startet my drawing too....
wish you inspired time and get your ass back at the easel so do I, its late in austria, I drink some darjeerling goldtop tea and prepare myself fro some egg-tempera working..
with love and respect matthias
--
The Sun is breathing Color
One day while walking in the vegetable garden at Tassajara, Suzuki noticed a student who was sitting on a stone looking at a sunflower growing nearby. He went over and sat by her.
"What are you doing?"
"Meditating with the sunflower," she said. "It rotates with the sun."
Suzuki sat with her for a long time. That night Suzuki referred to his garden visit.
"Unless you get through to emptiness, you are not practicing. But if you stick to the idea of emptiness, you are not a Buddhist yet. Someone was sitting in front of a sunflower, watching the sunflower, a cup of sun, and so I tried it too. It was wonderful; I felt the whole universe in the sunflower. That was my experience. Sunflower meditation. A wonderful confidence appeared. You can see the whole universe in a flower. If you say, 'Oh this is a sunflower which doesn't really exist' [laughing], that is not our zazen practice."
--
The Sun is breathing Color
--
if something happen between two people and one of them(or even both) forgot all about that, did that "something" even ever happen then?
And remember to play nice with the other children.
J.
--
Art washes away from the soul the dust of everyday life.
~ Pablo Picasso ~
"If you see someone without a smile, Give them yours."
.>^.^<.
--
Check out my Deviations!
Nice touch with the sumo wrestlers, too
--
"Let's skirt the issue of discipline
Let's start an illusion with hand and pen
Re-read the words and start again
Accept the gift of sin"
-Cavity: First Communion by Christian Death
I will prevail - one way, or another, or another...
I really admire your gallery. And your last journal entry about fascination with the path resonates quite strongly with me.
--
if something happen between two people and one of them(or even both) forgot all about that, did that "something" even ever happen then?
--
Hydra
--
EVA.SEP.COR
The Hour of Salomon by Mohammad Al-Harithi from the aforementioned Harmonia Mundi label. The Chant du Sanaa album I mentioned as oud is actually a different stringed instrument (while still being amazing music). Both these albums are Yemeni musicians. I find the Yemen music to be much more primal and ancient in feeling compared to say Egyptian or Iraqi musicians. Hour of Solomon refers to the late afternoon time as day gives way to night, when everything seems to just go silent, and people completely chill while chewing qat and gazing out over the city from their mafraj rooms...it is a wonderful time, and at some point soon after a musician might pick up the oud and start with the deep and intense tunes - like this album. Getting back to the Black Metal though, I guess by that I mean to refer to any kind of dark, obscure type of hard instrumental music (being ignorant of the specific categories) The bands you mention intrigue me. My one beef with dark metal in general (especially) of the nordic type, is why do they fixate on the demons of the monotheist mythology instead of reviving directly the ancient gods and practices of their own heritage? Is it a reaction to the prevalence and oppresion of monotheism in their relatively recent history? I think I am much more interested in blasting tunes that revive the ancient pagan spirit. Why do some metal bands seem to get caught up in the mythology they supposedly hate? After all, aren't the demons and devils of monotheism just the bastardized and demonized (literally) versions of gods and spirits of ancient paganism?
I had no idea you would be interested in Black Metal. I'm definitely not new to the scene and I know a couple of thousands of bands, but the actual list that is worthy to be kept on my computer or collection is a couple of thousands smaller. The list of esoteric Black Metal bands that are good that I have knowledge of is a lot smaller. Generally Black Metal doesn't reach much further than Satanism and Anti-Christianity. Hmm let's see. One of the most fascinating lyric-wise is Yamatu, a one-man band from the US. Get the album "Shurpu Asaru; The Book of Asa", which is a compilation release. The lyrics are about Sumerian mythology. Another band I can recommend is Avichi (again from the US). There's one album: "The Divine Tragedy". I did all the artwork for the release and the outcome is amazing. There's a review in the most popular Metal magazine of the UK that says even the artwork alone would make you purchase the album. So if you have some money to spend, purchase it! It's available worldwide through various online stores and also some local CD stores. Then another band is Deathspell Omega from France. Their music is very technical for Black Metal terms, and with their most recent album "Fas - Ite, Maledicti, in Ignem Aeternum" they threw in some Jazz influences. Highly unique. And then there's Teratism from the US. I'm their official artist since a while. Their "new" (recorded in 2006) album "Pure Unadulterated Hate" will be released through Obscure Abhorrence Productions this month. And then there's Enochian Crescent from Finland. A highly unique band with a sound that is much different from any other Black Metal bands. "Omega Telocvovim" is my favorite album. The album "Salvation" from the Swedish Black Metal band "Funeral Mist" is also recommended. Funeral Mist is a very fast and agressive band. Then there's "As Sahar" from Singapore. This band kind of has a calm sound for Black Metal. Their lyrics are about Malay Occultism. Ohh I almost forgot! Mortuary Drape from Italy. Their album "Tolling 13 Knell" is one of the most occult Black Metal albums sound-wise that I know of. Septic Flesh from Greece blew me away with their "Sumerian Daemons" album. It's not Black Metal, but it is esoteric and highly recommended.
Alright, I can imagine you're kind of lost with all those names and descriptions. Let me make you a list of names with some very short descriptions.
As Sahar (quite interesting)
Avichi (fantastic production and with unique vocals)
Beherit (considered a cult band. Download "Drawing Down the Moon")
Black Funeral (strange sinister mix of Black Metal and Dark Ambient. The founder of this band - Michael Ford - has written many esoteric books)
Deathspell Omega (later work is technical and progressive. Very interesting)
Enochian Crescent (truly unique)
Funeral Mist (fast and aggressive)
Inquisition (very unique vocals. You either love it or hate it)
Melechesh (known for its Mesopotamian influences, sound- and lyric wise)
Mortuary Drape (very occult atmosphere)
Nahash (fast and sinister)
Septic Flesh ("Sumerian Daemons" makes walls crumble)
Teratism (Black Metal of top quality)
Yamatu (wonderful Middle-Eastern influences and great lyrics)
And finally - even though they don't really have a relation with esotericism - I would like to recommend the album "Andacht" by Lunar Aurora. It's an absolute masterpiece.
--
EVA.SEP.COR
Sufi: start out with some Turkish dervish music on Celestial Harmonies label (Music of Islam vol 9: Mawlawiyah Music of the Whirling Dervishes), this is very deep and echoing music, which to me makes all ostensibly 'heavy' music of the West sound wimpy in comparison. Also check out the wonderful album Mevlana: Music of the Whirling Dervishes, and a really intesne one from Morocco called
Music of Islam, Vol. 5: Aissaoua Sufi Ceremony. For Persian Classical, the main label is Ocora Radio France. Classic recordings are Iran: Les Maitres de la Musique Traditionelle vol 1 and 2, which have some great setar and santur playing and ney flute. A great really old recording which sounds so magical is Classical Music of Iran: The Dastgah Systems from Smithsonian Folkways. A good modern Persian vocal master is Muhammad Reza Shajarian, who sings with a Persian super group called Masters of Persian Music. I am partial to the more antique recordings, but a good modern player to check out is Kayhan Kahlor, who plays a type of fiddle. There are so many more...you know, perhaps we could do a music exchange, as I have been getting curious about esoteric black metal, and you have knowledge in this area...
Fascinating! I haven't heard of most of those instruments or genres. I know Drone and Dark Ambient, and I've heard Persian but that's it. Could you recommend some Persian bands or musicians, and musicians who play Oud, and Sufi?
--
EVA.SEP.COR
--
[link] - zapraszam na moj blog ze wzgledu na kasowanie mi tu niektorych prac bedzie mozna tam zobaczyc wiecej
Let us watch some sumo!!!
Hope to see you back at my gallery,
I'm interested in your opinion!
--
Feel the ENERGY!
Previous Page12345... Next Page